): The Duke Ellington Reader, New York 1993 [book], p. 61-65 (F/A/R; Reprint, from: disques, Jun.1932), W.H. Bob Wilber: Louis Plays the Blues.

2010:    Vol. A Personal View of the Music and the Musicians, Berkeley 2000 [book: University of California Press], p. 218-229 (F: “Louis Armstrong’s Underrated Recordings during the Big-Band Era”; “‘Ambassador Satch’ on the World Stage”; “A Sentimental Journey – Louis’ Funeral”), Floyd Levin: The Seven-Year Challenge to Complete the Louis Armstrong Statue, in: Floyd Levin: Classic Jazz. Salute to Satchmo at Elstree Civil Hall, in: Jazz Journal, 31/3 (Mar.1978), p. 33 (C), J. Lee Anderson: ‘The Meatest Cornet Ever Heard’, in: Los Angeles Times, 25.Jun.1978, p. T98-99 (F: Louis Armstrong in Chicago) [digi.copy], Flora Molton: Louis Armstrong (Now He Is Gone), in: The Second Line, 31 (Fall 1979), p. 24-25 (poem), Keith Winter: Communication Analysis in Jazz, in: Jazzforschung/jazz research, #11 (1979), p. 93-133 (F/A/T: “Beau-Koo Jack”; “Big Butter and Egg Man”), Robert Hoskins: Louis Armstrong. ): Louis Armstrong. Gravures célèbres, in: Jazz Magazine, #103 (Feb.1964), p. 30-32 (A: “Double Check Stomp”; “Mood Indigo”; “Echoes of the Jungle”), Don DeMichael & Pete Welding: Jazz Basics. A Jazz Memoir, Jackson/MS 2011 [book: University Press of Mississippi], p. 23-31 (F: chapter “On the Bus with Pops and Duke”), Jacques Réda: Autobiographie du Jazz, Paris 2011 [book: Climats], p. 53-59 (F: chapter “Les deux piliers. Louis Blues”; “Sweethearts on Parade”; “Takes Two to Tango”; “Thanks a Million”; “That’s My Desire”; “You’re Driving Me Crazy”), NN: Louis Armstrong (FBI-File), in: [FBI file] (F: FBI material covering the period from 1936 to 1971) [digi.copy], NN: Louis Armstrong 1900-1971, in: Coda, 10/2 (1971), p. 41 (F/O), NN: Louis Armstrong Lies in State, in: The Second Line, 23 (Summer 1971), p. 4 (N/O), NN: Louis Armstrong Statue Fund Progress Report, in: The Second Line, 23 (Summer 1971), p. 15 (short F), NN: Louis Blues, in: Jazz Magazine, #191 (1971), p. 42-45 (F: funeral), NN: Satchmo à Hollywood, in: Jazz Magazine, #191 (1971), p. 34-37, NN: The King Returns to New Orleans, in: The Second Line, 23 (Summer 1971), p. 12 (short F: listing of concerts in New Orleans), NN: The Louis Armstrong Memorial Service, in: The Second Line, 23 (Summer 1971), p. 7-9 (program schedule/photos), Pops Foster: Traveling with Armstrong – and After, in: Pops Foster & Tom Stoddard: The Autobiography of Pops Foster, New Orleans Jazzman, Berkeley 1971/1973 [book: University of California Press; reprint: San Francisco 2005: Backbeat Books], p. 158-173, passim (F) [digi.copy], Ralph G. Gleason: God Bless Louis Armstrong, in: Rolling Stone, #88 (1971), p. 27-33, Rudi Blesh: Little Louis, in: Rudi Blesh: Combo: USA. |. Une vie dans le jazz, Aubais/France 2005 [book: Mémoire d’Oc Éditions], p. 38 (short F: “Paris Blues”), Ron Brown & Digby Fairweather: Nat Gonella. ): Il secolo di Louis Armstrong. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 20 (short F), NN: Ellington Draws 9,000 to Concert, in: Down Beat, ca. If It Ain’t Got That Swing, in: Jazz Journal, 18/4 (Apr.1965), p. 25-26 (C), Charles McCabe: Duke Ellington to the Court of St.

Vorbildung jedenfalls ist hilfreich, da Andersons Buch keine Biographie ist, sondern vor allem die Musik beschreibt und das durchaus in musikalischen Termini, mit unterschiedlichen analytischen Ansätzen und untermauert mit Transkriptionen von Themen und Soli. Europapremiär i Stockholm 3 okt., in: Estrad, 11/10 (Oct.1949), p. 1 (F), NN: Discographie d’Louis Armstrong, in: Jazz Hot, #37 (Oct.1949), p. 30 (D), NN: Louis Armstrong en Suisse, in: Jazz Hot [Jazz-Revue (Switzerland)], #37 (Oct.1949), p. 41 (N), NN: Jazz. Headlining – Louis Armstrong, in: Pittsburgh Courier, 13.Jun.1936, p. A9 (F: Armstrong earning too less for his fame) [digi.copy], Hugues Panassié: Louis Armstrong – “Got a Bran’ New Suit” / “On Treasure Island” / “Thanks a Million” / Solitude” (Brunswick), in: Jazz Hot, 2/9 (Jun.1936), p. 20 (R) [digi.copy], Hugues Panassié: Louis Armstrong – “Melancholy Blues” / “Wild Man Blues” / “Alligator Crawl” / “Potato Head Blues” (Parlophone), in: Jazz Hot, 2/9 (Jun.1936), p. 21-22 (R) [digi.copy], John Hammond: Louis Armstrong and his White Band – I’m Putting All My Eggs / Yes, Yes, My, My, in: Rhythm, Jun.1936, p. 21 (R) [digi.copy], Hugues Panassié: Louis Armstrong – “Old Man Mose” / “The Music Goes ‘Round and Around” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 18-19 (R) [digi.copy], Madeleine Gautier: Louis Armstrong – “You Are My Lucky Star” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 7 (R) [digi.copy], NN: Ashton Stevens, Noted Critic, Declares Louis Armstrong Is Definition of ‘Swing’. ): Louis Armstrong.

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